How To Import Animation Into After Effects

How to Add Animated Illustrations to Footage In Afterward Effects

Today, so many people post high-quality video content, and it tin can be tough to stand up out from the crowd. Sometimes good footage lonely is non good enough. Luckily, there are tricks yous can use to step up your game — similar adding an animated illustration to your footage.

In this tutorial, I'll show you lot how to add animated illustrations to your footage using After Effects, transforming a standard video into something unexpected. It'southward a fun and creative issue to make, and it'southward not that hard to practice; it only takes a bit of time to complete. The end result is well worth it, and so stick with me!

If y'all're brand new to Later on Effects, check out the Beginner'southward Guide to Advanced Tools and Techniques for a primer. And head over to Storyblocks Video to download some stock footage to piece of work with.

Let's become started!

Hither's what we'll have created past the end of the tutorial:

one. Import your footage into After Effects and elevate it onto the New Composition button.

Import new animated analogy into After Effects

Import new animated illustration into Subsequently Effects

2. At the summit of the After Effects screen, click on Limerick and then Limerick Settings.

Click on Limerick and Composition settings

Change the Start Timecode to 0, so that it is easier to tell which frame we will be on while creating the effect.

Modify start timecode to 0 on blithe illustration

Change first timecode to 0 on animated analogy

three. In the composition, click on the footage to select it, and indistinguishable it (Cmd + D on Mac, or Ctrl + D on PC.)

Click on animated illustration and duplicate it

Click on animated analogy and duplicate information technology

Then rename the layers past selecting the lesser layer first and pressing Enter on your keyboard; proper name it 'BG' for groundwork, and rename the duplicated layer 'Animated Scribble Line.'

Rename layer of blithe illustration to 'Animated Scribble Line.'

At the top of the After Furnishings screen, click on Window and open the Pigment and Brushes panel windows, and switch to the Brush Tool.

Click on window -> paint + brushes -> switch to brush tool

Double-click on the Animated Scribble Line layer within your composition to switch to the Layer panel. This will permit yous to start painting.

Click on animated scribble line layer to start painting on blithe analogy

Click on animated scribble line layer to offset painting on animated footage

five. Within the Paint panel window, change the settings so that it looks like the following:

Opacity: 100%

Menstruation: 100%

Mode: Normal

Channels: RGBA

Elapsing: Single Frame

Setting the Elapsing to Single Frame ways that when you paint, it will only stay on screen for 1 frame.

Set elapsing to unmarried frames to leave blitheness on on for 1 second

In the Brushes panel window, set the Bore to 45 pixels to increase the size of the paintbrush.

6. Next, ready the playhead to the kickoff of your limerick.

Kickoff playhead at start of composition

Get-go painting frame by frame to brainstorm creating the animated illustration effect until it has been completed (using a full-size keyboard, y'all can press the Page Up or Folio Down keys to switch frames instead of using your figurer mouse.)

Commencement frame:

Draw over footage on get-go frame of blithe analogy

Second frame:

3rd frame, etc.:

Describe over footage on third frame of blithe illustration

7. If you lot practice not desire to breathing over your unabridged footage, motility the timeline cursor to where you'd like the footage to end and printing 'northward' on your keyboard to trip the work expanse.

Movement timeline cursor to specific office of footage to edit specific part of blithe illustration

8. Then, at the height of the After Effects screen, go to Window and open the Effect Controls panel window, and cheque the box for Pigment on Transparent. This will remove the footage from the layer and but continue the pigment effect. This is what nosotros want because we can still see the footage from the original 'BG' layer at the lesser of our limerick.

Remove footage from layer and keep paint effect by going to window -> effect controls panel -> paint on transparent

Remove footage from layer and keep paint effect by going to window -> effect controls panel -> pigment on transparent

Next, go back to your Composition window.

Press the Toggle Transparency button. This allows the white pigment to be seen if you were to remove the 'BG' layer and had your limerick background colour prepare to white.

Press toggle transparency to remove 'BG' layer

Now that nosotros are finished with the blithe scribble line permit's select it, and duplicate it (Cmd + D on the Mac, or Ctrl + D on the PC.)

Select and indistinguishable animated scribble line

Rename it to 'Explosions' past pressing Enter on your keyboard.

Rename animated scribble lined to 'Explosions'

Then, in your Effect Controls panel window, select the Paint event and delete it, so that we can create a new paint analogy on this duplicated layer.

10. Double-click on the Explosions layer inside the composition like we did in stride 4.

Within the Brushes panel window, change the Diameter to xix, (this will create a smaller paintbrush size) and begin painting on each frame until the illustration is complete.

Change diameter of paintbrush by clicking brushes -> diameter

First frame:

'Explosions' footage in frame one of animated illustration

2nd frame:

'Explosions' footage in frame ii of animated analogy

Third frame, etc.:

'Explosions' footage in frame iii of animated illustration

xi. In my instance, I created 4 of these explosion illustrations (2 on the right side of the frame and ii on the left side of the frame.) However, create every bit many or equally few every bit yous see fit.

Explosion illustration on left side of the frame on animated footage

Explosion illustration on right side of the frame on animated footage

Illustration added to left side of frame on blithe footage

12. With the Explosions layer selected in the timeline, navigate to the Effect Controls panel window and, once again, check the Paint on Transparent box.

Select explosions layer, navigate to effect controls -> paint on transparent box

Then duplicate the Explosions layer in the composition, and rename information technology to 'Crown.'

Duplicate explosions layer -> rename to 'Crown.'

And once again, within the Effect Controls panel window, delete the Paint effect.

In effect controls panel, delete paint effect

13. For the next pace, instead of leaving Elapsing inside the Pigment console window set to Single Frame, allow's alter it to Write On. This will allow the effect to animate on the screen over fourth dimension between 2 keyframes.

Let effect to animate between 2 keyframes by choice write on.

Double-click on the Crown layer to enter the layer (which volition let you start painting like in previous steps), move your timeline cursor to the time in your composition that you'd like the animation to be, then on the same frame, pigment on the entire illustration. For my case, the crown will exist painted on in seven steps:

Bottom line:

Click on crown layer, move to timeline cursor to specific fourth dimension, and paint on blithe illustration. Frame one of crown animation

Second line:

Peak of crown:

And the 4 dots:

14. At present that the crown analogy has been painted onto 1 frame navigate to the Composition window and open the paint sub-layers.

Navigate to composition window -> open paint sub-layers

And since the animation is happening too slow, we need to make some adjustments. Select all of the pigment layers, and motility them to the starting time of the composition, or where you'd like the animation to get-go.

Since animation is tedious, select all paint layers, motility to beginning of comp.

Press the 'u' key to reveal all the keyframes on the selected layers, and elevate each of the keyframes that are too far to the correct, to where you want them to animate in.

For the four dots, position them so that they animate in gradually.

For four dots and position them vertically to animate gradually

xv. To animate the crown back, we can utilize the existing keyframes by copying them to the time in the composition where we'd like the crown to showtime animating out.

With the timeline cursor at the time in the composition where you'd similar to paste the keyframe, select a keyframe and press Cmd + c on Mac, or Ctrl + c on PC, so press Cmd + v on Mac, or Ctrl + v on PC.

Keep this step until y'all have all of the keyframes copied and pasted for the ending part of the crown animation.

Animate crown back by having all keyframes copied and pasted for ending of crown blitheness

17. The next footstep is to rails the crown to the person'southward head so that information technology follows her movement. With the 'BG' layer selected, navigate to Window at the pinnacle of the After Effects screen and open the Tracker panel window.

Track person's head with crown. Select 'BG' layer -> Window -> Tracker

Next, within the Tracker panel window, click on Track Motion.

In Tracker panel, select Track Motility.

Switch back to the main selection tool, place your timeline cursor in your composition to approximately the same frame as where y'all painted on the crown, then adjust the Track Bespeak 1 box in the eye of your footage and then that information technology covers the function of the footage that you'd like to track.

Switch to main selection tool and adjust track betoken 1 box in middle of footage to runway desired footage

Switch to master choice tool and adjust track point 1 box in middle of footage to track desired footage

18. At the height of the After Furnishings screen, click on Layer, New, Nada Object.

And within the Tracker panel window, click on Edit Target and set it to your Null Object. This will hold our tracking information once we runway our footage.

In tracker window, click edit target, set to null object.

Now that we accept the Edit Target connected to the Null Object nosotros created let'south track our footage from the current time in the limerick to the commencement past pressing the Analyze astern button.

With edit target connected to aught object, track footage by pressing analyze backward button.

Once the tracking has completed, move the timeline cursor dorsum to the frame where the crown was painted on, and in the Tracker panel window, press the Analyze forward push button. If you find your tracking marker has moved off of where information technology should be, cease the track at that frame, make the aligning, and continue tracking.

In one case tracking has completed, press analyze forward.

xix. With the tracking complete, inside the Tracker console window, press the Apply button, and Ok button for the 'X and Y' dimensions to apply the tracking data to our Zip Object.

Inside Tracker panel window, press apply -> ok for 'X and Y' -> utilize tracking data to Object.

Rename the Null Object in your composition to Tracking Data for amend organisation.

Rename Zero object to tracking data for better organization

So, make sure yous have the timeline cursor on the same frame where the crown was painted on. With the pick whip icon on the Crown layer, click and concur, then drag information technology to the Tracking Data layer and let get. This volition parent the Crown layer to the Tracking Information so that it follows the motion of the person's head.

With option whip on 'Crown' layer, click and drag to tracking information layer and let get.

20. With the Crown layer selected, get to the Effect Controls panel window, and 1 concluding fourth dimension, check the Paint on Transparent box.

With 'Crown' layer, go to Effect Controls window, check 'Pigment on Transparent'

21. The final footstep in our blithe illustration outcome is to add some color! To do that, select the Crown layer in the composition, and in the Effects & Presets panel window, search for and double-click on the Fill effect to add it to the Crown layer.

Add some color by selecting 'Crown' layer. In 'Effects & Controls', double-click on Fill up issue to add color.

Inside the Event Controls panel window, within the Make full outcome, change the color to your liking.

22. For the finishing touches, repeat the procedure of adding the Make full consequence to the Explosions layer with a unlike color so that the Crown and Explosions layers accept their own unique colour that'south dissimilar from the Animated Scribble Line layer.

Add fill color to other layers -- 'Crown' and 'Explosion' layers.

And we are done!

Finished Animated analogy over footage using afterwards effects

Thanks for hanging in there. There are quite a few steps, and it does require a flake of time to complete. But overall, it's a relatively uncomplicated result to create, and the upshot really does brand your video unique. Nosotros got the inspiration for this tutorial from 1 of the visual trends featured in the Storyblocks 2020 Trends Guide. Check information technology out for more context!

Meet the 2020 Trends

Want to learn more from Volition Bartlett? Expect for new tutorials to come on the Storyblocks weblog or followAlli and Volition on YouTube and Instagram.

Tags:
Subsequently Effects,
Tutorial,
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Will Bartlett

Video Creator, YouTuber

Will is a Video Creator with over 10 years of experience in Cinematography and Editing, and has been creating videos and animations since he was a child. He runs three media businesses with his married woman Alli, including an online make that's trained 350,000+ students in a wide range of courses, a Toronto-based video production visitor, and a YouTube channel and blog that's focused on filmmaking.

Source: https://blog.storyblocks.com/video-tutorials/how-to-add-animated-illustrations-to-footage-in-after-effects/

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